Friday, January 3, 2014
fairytale friday with rootabaga stories
Rootabaga Stories Part One
written by Carl Sandburg
illustrated by Michael Hague
copyright 1922
How They Broke Away to Go to the Rootabaga Country
Gimme the Ax lived in a house where everything is the same as it always was.
"The chimney sits on top of the house and lets the smoke out," said Gimme the Ax. "The doorknobs open the doors. The windows are always either open or shut. We are always either upstairs or downstairs in this house. Everything is the same as it always was."
So he decided to let his children name themselves.
"The first words they speak as soon as they learn to make words shall be their names," he said. "They shall name themselves."
When the first boy came to the house of Gimme the Ax, he was named Please Gimme. When the first girl came she was named Ax Me No Questions.
And both of the children had the shadows of valleys by night in their eyes and the lights of early morning, when the sun is coming up, on their foreheads.
And the hair on top of their heads was a dark wild grass. And they loved to turn the doorknobs, open the doors, and run out to have the wind comb their hair and touch their eyes and put its six soft fingers on their foreheads.
And then because no more boys came and no more girls came, Gimme the Ax said to himself, "My first boy is my last and my last girl is my first and they picked their names themselves."
Please Gimme grew up and his ears got longer. Ax Me No Questions grew up and her ears got longer. And they kept on living in the house where everything is the same as it always was. They learned to say just as their fther said, "The chimney sits on top of the house and lets the smoke out," said Gimme the Ax. "The doorknobs open the doors. The windows are always either open or shut. We are always either upstairs or downstairs in this house. Everything is the same as it always was."
After a while they began asking each other in the cool of the evening after they had eggs for breakfast in the morning, "Who's who? How much? And what's the answer?"
"It is too much to be too long anywhere," said the tough old man, Gimme the Ax.
And Please Gimme and Ax Me No Questions, the tough son and tough daughter of Gimme the Ax, answered their father, "It is too much to be too long anywhere."
So they sold everything they had, pigs, pastures, pepper pickers, pitchforks, everything except their ragbags and a few extras.
When their neighbors saw them selling everything they had, the different neighbors said, "They are going to Kansas, to Kokomo, to Canada, to Kankakee, to Kalamazoo, to Kamchatka, to the Chattahoochee."
One little sniffer with his eyes half shut and a mitten on his nose, laughed in his hat five ways and said, "They are going to the moon and when they get there they will find everything is the same as it always was."
All the spot cash money he got for selling everything, pigs, pastures, pepper pickers, pitchforks, Gimme the Ax put in a ragbag and slung on his back like a rag picker going home.
Then he took Please Gimme, his oldest and youngest and only son, and Ax Me No Questions, his oldest and youngest and only daughter, and went to the railroad station.
The ticket agent was sitting at the window selling railroad tickets the same as always.
"Do you wish a ticket to go away and come back or do you wish a ticket to go away and never come back?" the ticket agent asked wiping sleep out of his eyes.
"We wish a ticket to ride where the railroad tracks run off into the sky and never come back--send us far as the railroad rails go and then forty ways farther yet," was the reply of Gimme the Ax.
"So far? So early? So soon?" asked the ticket agent wiping more sleep out his eyes. "Then I will give you a new ticket. It blew in. It is a long slick yellow leather slab ticket with a blue spanch across it."
Gimme the Ax thanked the ticket agent once, thanked the ticket agent twice, and then instead of thanking the ticket agent three times he opened the ragbag and took out all the spot cash money he got for selling everything, pigs, pastures, pepper pickers, pitchforks, and paid the spot cash mone to the ticket agent.
Before he put it in his pocket he looked one, twice, three times at the long yellow leather slab ticket with the blue spanch across it.
Then with Please Gimme and Ax Me No Questions he got on the railroad train, showed the conductor his ticket and they started to ride to where the railroad tracks run off into the blue sky and then forty ways farther yet.
The train ran on and on. It came to the place where the railroad tracks run off into the blue sky. And it ran on and on chick chick-a-chick chick-a-chick chick-a-chick.
Sometimes the engineer hooted and tooted the whistle. Sometimes the fireman rang the bell. Sometimes the open-and-shut of the steam hog's nose choked and spit pfisty-pfoost, pfisty-pfoost, pfisty-pfoost. But no matter what happened to the whistle and the bell and steam hog, the train ran on and on to where the railroad tracks run off into the blue sky. And then it ran on and on more and more.
Sometimes Gimme the Ax looked in his pocket, put his fingers in and took out the long slick yellow leather slab ticket with the blue spanch across it.
"Not even the Kings of Egypt with all their climbing camels, and all their speedy, spotted, lucky lizards, ever had a ride like this," he said to his children.
Then something happened. They met another train running on the same track. One train was going one way. The other was going the other way. They met. They passed each other.
"What was it--what happened?" the children asked their father.
"One train went over, the other train went under," he answered. "This is the Over and Under Country. Nobody gets out of the way of anybody else. They either go over or under."
Next they cam to the country of the balloon pickers. Hanging down from the sky strung on strings so fine the eye could not see them at first, was the balloon crop of that summer. The sky was thick with balloons. Red, blue, yellow balloons, white, purple and orange balloons--peach, watermelon and potato balloons--rye loaf and wheat loaf balloons--link sausage and pork chop balloons--they floated and filled the sky.
The balloon pickers were walking on high stilts picking balloons. Each picker had his own stilts, long or short. For picking balloons near the ground he had short stilts. If he wanted to pick far and high he walked on a far and high pair of stilts.
Baby pickers on baby stilts were picking baby balloons. When they fell off the stilts the handful of balloons they were holding kept them in the air till they got their feet into the stilts again.
"Who is that away up there in the sky climbing like a bird in the morning?" Ax Me No Questions asked her father.
"He was singing too happy," replied the father. "The songs came out of his neck and made him so light the balloons pulled him off his stilts.
"Will he ever come down again back to his own people?"
"Yes, his heart will het heavy when his songs are all gone. Then he will drop down to his stilts again."
The train was running on and on. The engineer hooted and tooted the whistle when he felt like it. The fireman rang the bell when he felt that way. And sometimes the open-and-shut of the steam hog had to go pfisty-pfoost, pfisty-pfoost.
"Next is the country where the circus clowns come from," said Gimme the Ax to his son and daughter. "Keep your eyes open."
They did keep their eyes open. They saw cities with ovens, long and short ovens, fat stubby ovens, lean lank ovens, all for baking either long or short clowns, or fat and stubby or lean and lank clowns.
After each clown was baked in the oven it was taken out into the sunshine and put u to stand like a big white doll with a red mouth leaning against the fence.
Two men came along to each baked clown standing still like a doll. One man threw a bucket of white fire over it. The second man pumped a wind pump with a living red wind through the red mouth.
The clown rubbed his eyes, opened his mouth, twisted his neck, wiggled his ears, wriggled his toes, jumped away from the fence and began turning handsprings, cartwheels, somersaults and flipflops in the sawdust ring near the fence.
"The next we come to is the Rootabaga Country where the big city is the Village of Liver-and-Onions," said Gimme the Ax, looking again in his pocket to be sure he had the long slick yellow leather slab ticket with the blue spanch across it.
The train ran on and on till it stopped running straight and began running in zigzags like one letter Z put next to another Z and the next and the next.
"It seems like we go half way and then back up," said Ax Me No Questions.
"Look out of the window and see if the pigs have bibs on," said Gimme the Ax. "If the pigs are wearing bibs then this is the Rootabaga Country."
And they looked out of the zigzagging windows of the zigzagging cars and the first pigs they saw had bibs on.
The checker pigs had checker bibs on, the striped pigs had striped bibs on. And the polka dot pigs had polka dot bibs on.
"Who fixes it for the pigs to have bibs on?" Please Gimme asked his father.
"The fathers and mothers fix it," answered Gimme the Ax. "The checker pigs have checker fathers and mothers. The striped pigs have striped fathers and mothers. And the polka dot pigs have polka dot fathers and mothers."
And the train went zigzagging on and on running on the tracks and the rails and the spikes and the ties which were all zigzag like the letter Z and the letter Z.
And after a while the train zigzagged on into the Village of Liver-and-Onions, known as the biggest city in the big, big Rootabaga Country.
And so if you are going to the Rootabaga Country you will know when you get there because the railroad tracks change from straight to zigzag, the pigs have bibs on and it is the fathers and mothers who fix it.
And if you start to go to that country remember first you must sell everything you have, pigs, pastures, pepper pickers, pitchforks, put the spot cash money in a ragbag and go to the railroad station and ask the ticket agent for a long slick yellow leather slab ticket with a blue spanch across it.
And you mustn't be surprised if the ticket agent wipes sleep from his eyes and asks, "So far? So early? So soon?"
Wednesday, January 1, 2014
weekly wednesday eco lingerie design discount
The decision has been made to offer a leap and bound discount every week on Wednesdays. I personally agree with Wednesdays most of the time. They do not stand in the way and open a breathe of aire like the tallest perch you can see from your window. Yes, Wednesdays will do. As each week may be juxtaposed with new ideas, so flies the weekly design love from our Under The Root shop.
This week is the Lamignak Lantern Leotard. Beginning today, the price descends from fifty dollars ($50), to forty dollars ($40). This discount will be ongoing for one week, until next Wednesday begins the succeeding design choice on the chopping block. There are colors to choose from our seasonal color chart inside the listing.
The authentic reason for these peculiar discounts is to deplete the materials in our stock, for the next evolution can certainly use some padding of the kitty. We have aspirations for using organic hemp in our designs.. possibly added organic materials as well. That's right, it is time to move into a more sustainable, extra whopping, super monster fireflies on these pieces. Yes, there will continue limited, one of a kind materials in the work for some designs, but I am ravenous to push the envelope of what is possible with hemp... and it is essential to inquire for your assistance in the purchase of materials process. You receive our designs at out of the ordinary prices as we build the revenue for extraordinary materials of the future.
read more or purchase...
Monday, December 30, 2013
modern dance monday with feldenkrais
The slow, gentle, and graceful movements comprise the Feldenkrais Method. Moshe Feldenkrais’ ties to dance date back to the 1940s in Israel when modern dancer and movement notator Noah Eshkol took an interest in his work. Eshkol recorded Feldenkrais’ innovative Awareness Through Movement (ATM) lessons using Eshkol Wachman notation. You can read more on his full biography here.
Awareness Through Movement is a component of the Feldenkrais Method, which is a mode of somatic education. During each class, students engage in structured movement explorations that involve thinking, sensing, moving, and imagining. Many lessons are based on developmental movements and ordinary functional activities. Some are based on more abstract explorations of joint, muscle, and postural relationships. The lessons consist of comfortable, easy movements that gradually evolve into movements of greater range and complexity. Lessons attempt to make one aware of one's habitual neuromuscular patterns and rigidities and to expand options for new ways of moving.
“What I’m after isn’t flexible bodies, but flexible brains. What I’m after is to restore each person to their human dignity. ”
“I believe that the unity of mind and body is an objective reality. They are not just parts somehow related to each other, but an inseparable whole while functioning. A brain without a body could not think.”
“Find your true weakness and surrender to it. Therein lies the path to genius. Most people spend their lives using their strengths to overcome or cover up their weaknesses. Those few who use their strengths to incorporate their weaknesses, who don’t divide themselves, those people are very rare. In any generation there are a few and they lead their generation. ”
“The aim [of the Feldenkrais Method] is a person that is organized to move with minimum effort and maximum efficiency, not through muscular strength, but through increased consciousness of how movement works.”
“No matter how closely we look, it is difficult to find a mental act that can take place without the support of some physical function."
“Movement is life. Life is a process. Improve the quality of the process and you improve the quality of life itself.”
-Moshe Feldenkrais
Friday, December 27, 2013
fairytale friday with the nis and the mare
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| Nis by Lennart Helje |
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| Nis by Wayne Anderson |
There was a man who lived in the town of Tirup, who had a very handsome white mare. This mare had for many years gone, like an heirloom, from father to son, because there was a Nis attached to her, which brought luck to the place.
This Nis was so fond of the mare, that he could hardly endure to let them put her to any kind of work, and he used to come, himself, every night and feed her of the best; and as for this purpose he usually brought a superfluity of corn, both threshed and in the straw, from the neighbours' barns, all the rest of the cattle enjoyed the advantage of it, and they were all kept in exceeding good case.
It happened at last that the farm-house passed into the hands of a new owner, who refused to put any faith in what they told him about the mare, so the luck speedily left the place, and went after the mare to his poor neighbour who had bought her; and within five days after his purchase, the poor farmer who had bought the mare began to find his circumstances gradually improving, while the income of the other, day after day, fell away and diminished at such a rate, that he was hard set to make both ends meet.
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| Nis by Lennart Helje |
If now the man who had gotten the mare had only known how to be quiet, and enjoy the good times that were come upon him, he and his children, and his children's children after him, would have been in flourishing circumstances till this very day. But when he saw the quantity of corn that came every night to his barn, he could not resist his desire to get a sight of the Nis. So he concealed himself one evening, at nightfall, in the stable' and as soon as it was midnight, he saw how the Nis came from his neighbour's barn and brought a sackful of corn with him. It was now unavoidable that the Nis should get a sight of the man who was watching; so he, with evident marks of grief, gave the mare her food for the last time, cleaned, and dressed her to the best of his abilities, and when he had done, turned round to where the man was lying and bid him farewell.
From that day forward the circumstances of both the neighbours were on an equality, for each now kept his own.
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| Nis by John Bauer |
Wednesday, December 25, 2013
weekly wednesday eco lingerie design discount
The decision has been made to offer a leap and bound discount every week on Wednesdays. I personally agree with Wednesdays most of the time. They do not stand in the way and open a breathe of aire like the tallest perch you can see from your window. Yes, Wednesdays will do. As each week may be juxtaposed with new ideas, so flies the weekly design love from our Under The Root shop.
This week is the Blushing BlumenUndies. Beginning today, the price descends from twenty dollars ($20), to ten dollars ($10). This discount will be ongoing for one week, until next Wednesday begins the succeeding design choice on the chopping block. There are colors to choose from our seasonal color chart inside the listing.
The authentic reason for these peculiar discounts is to deplete the materials in our stock, for the next evolution can certainly use some padding of the kitty. We have aspirations for using organic hemp in our designs.. possibly added organic materials as well. That's right, it is time to move into a more sustainable, extra whopping, super monster fireflies on these pieces. Yes, there will continue limited, one of a kind materials in the work for some designs, but I am ravenous to push the envelope of what is possible with hemp... and it is essential to inquire for your assistance in the purchase of materials process. You receive our designs at out of the ordinary prices as we build the revenue for extraordinary materials of the future.
read more or purchase...
Monday, December 23, 2013
modern dance monday with sidi larbi cherkaoui
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| Valtari |
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| Valtari |
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| Apocrifu |
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| Akram Khan and Sidi Larbi Cherkaoui in Zero Degrees |
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| Rein |
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| Rein |
The found images above are a tiny selection from various works of Sidi Larbi Cherkaoui. After delving into the facts circling a background of this Moroccan Flemish choreographer, there appears to be no stopping this incredibly endearing hearth of body movement. The production site is swarming with magik unleashed on our universe in performance.
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| Faun |
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| Puz/zle |
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| Puz/zle |
An informative biography from the debut of his choreography and works throughout the continuing years, plus some media interviews, they all offer a peek into the person behind the work. The work is extraordinary, bodies as liquid and seamless as our dreamworlds. He has connected the invisible cord between cultures with performance, shined a moon on gender integrity, and sweeping the cobwebs out of our past.. all for the sake of evolution into our next steps.
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| Sidi Larbi Cherkaoui |
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| Sidi Larbi Cherkaoui and Kazutomi Kozuki |
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| Sidi Larbi Cherkaoui by Koenbroos |
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| Sidi Larbi Cherkaoui by Damian Siqueiros |
Friday, December 20, 2013
fairytale friday with the witches' excursion
The Witches' Excursion
from Legends of Irish Witches and Fairies
written by Patrick Kennedy 1866-1870
Shemus Rua was awakened from his sleep one night by noises in his kitchen. Stealing to the door, he saw half a dozen old women, sitting round the fire, jesting, and laughing, his own old housekeeper, Madge, quite frisky and gay, helping her sister crones to cheering glasses of punch. He began to admire the impudence and imprudence of Madge, displayed in the invitation and the riot, but recollected on the instant her officiousness in urging him to take a comfrotable posset, which she had brought to his bedside just before he fell asleep. Had he drunk it he would have been just now deaf to the witches' glee. He heard and saw them drink his health in such a mocking style as nearly to tempt him to charge them, besom in hand, but he restrained himself. The jug being emptied, one of them cried out, "It is time to be gone," and at the same moment, putting on a red cap, she added
By yarrow and rue,
And my red cap too,
Hie over to England.
Making use of a twig which she held in her hand as a steed, she gracefully soared up the chimney, and was rapidly followed by the rest. But when it came to the housekeeper's turn, Shemus interposed. "By your leave, ma'am!" said he, snatching twig and cap, "Ah, you desateful ould crocodile! If I find you here on my return, there'll be wigs on the green."
By yarrow and rue,
And my red cap too,
Hie over to England.
The words were not out of his mouth when he was soaring above the ridge-pole, and swiftly ploughing the air. He was careful to speak no word (being somewhat conversant in witch lore), as the result would be a tumble, and immediate return of the expedition. In a very short time they had crossed the Wicklow hills, the Irish Sea, and the Welsh mountains, and were charging at whirlwind speed the halldoor of a castle. Shemus, only for the company in which he found himself, would have cried out for pardon, expecting to be mummy against the hard oak door in a moment, but all bewildered he found himself passing through the keyhole, along a passage, down a flight of steps, and through a cellar door keyhole, before he could form any clear idea of his situation.
Waking to the full consciousness of his postion, he found himself sitting on a stillion, plenty of lights glimmering round, and he and his companions, nobbing and drinking helths as jovially and recklessly as if the liquor was honestly come by, and they were sitting in Shemus's own kitchen. The red birredh had assimilated Shemus's nature for the time being to that of his unholy companions. The heady liquors soon got in their brains, and a period of unconsciousness succeeded the ecstasy, the headache, the turning round the barrels, and the scattered sight of poor Shemus. He woke up under the impression of being roughly seized, and shaken and dragged upstairs, and subjected to a disagreeable examination by the lord of the castle, in his state parlour. There was much derision and laughter among the whole company, gentle and simple, on hearing Shemus's explanation; and as the thing occurred in the dark ages, the unlucky Leinsterman was sentenced to be hung as soon as the gallows could be prepared for the occasion.
The poor Hibernian was in the cart proceeding on his last journey, with a label upon his back, and another on his breast, announcing him as the remorseless villain who for the last month had been draining casks in my lord's vaults every night. He was striving to say a prayer, when he was surprised to hear himself addressed by his name, and in his native tongue, by an old woman in the crowd. "Ach, Shemus, alanna! is going to die, you are in a strange place, without your cappeen dearg!" These words infused hope and courage into the victim's heart. He turned to the lord, and humbly asked leave to die in his red cap, which he supposed had dropped from his head in the vault. A servant was sent for the headpiece, and Shemus felt lively hope warming his heart while placing it on his head. On the platform he was graciously allowed to address the spectators, which he proceeded to do in the usual formula composed for the benefit of flying stationers: "Good people all, a warning take by me;" but when he had finished the line, "My parents reared me tenderly," he unexpectedly added,
By yarrow and rue,
And my red cap too,
Hie over to England.
and the disappointed spectators saw him shoot up obliquely through the air in the style of a skyrocket that had missed its aim.
It is said that the lord took the circumstance muchto heart, and never afterwards hung a man for twenty-four hours after his offence.
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